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Béziers Cathedral (Cathédrale Saint-Nazaire-et-Saint-Celse de Béziers), is a Roman Catholic cathedral in Béziers, France.
It was formerly the seat of the Bishopric of Béziers, which was suppressed by the Concordat of 1801 and merged into the Diocese of Montpellier.
It was formerly the seat of the Bishopric of Béziers, which was suppressed by the Concordat of 1801 and merged into the Diocese of Montpellier.
Narbonne Cathedral (Cathédrale Saint-Just-et-Saint-Pasteur de Narbonne) is a former Roman Catholic cathedral, and national monument of France, located in the town of Narbonne.
Construction on the present building began in 1272. It was the seat of the Archbishop of Narbonne until the Archbishopric was merged into the Diocese of Carcassonne under the Concordat of 1801.
Construction on the present building began in 1272. It was the seat of the Archbishop of Narbonne until the Archbishopric was merged into the Diocese of Carcassonne under the Concordat of 1801.
Bec Abbey (French: Abbaye Notre-Dame du Bec) in Le Bec-Hellouin, Normandy, France, is a Benedictine monastic foundation in the Eure département, in a valley midway between the cities of Rouen and Le Havre.
Until the French Revolution, Riom was the capital of the province of Auvergne, and the seat of the dukes of Auvergne. In the 14th century the city benefitted from the patronage of the Jean, duc de Berry, who rebuilt the Ducal Palace and the Saint-Chapelle.
Informally known as Ronchamp, the chapel of Notre Dame du Haut in Ronchamp (French: Chapelle Notre-Dame-du-Haut de Ronchamp), France completed in 1954 is considered one of the finest examples of architecture by the late French/Swiss architect Le Corbusier and one of the most important and successful examples of religious architecture in the 20th century, an honor it shares with the Matisse Chapel in Vence.
The site is high on a hill near Belfort in eastern France. There had been a pilgrimage chapel on the site dedicated to the Virgin Mary, but it had been destroyed during the Second World War. After the war, it was decided to rebuild on the same site. The Chapelle Notre-Dame-du-Haut, a shrine for the Roman Catholic Church at Ronchamp, France was built for a reformist Church looking to continue its relevance. Warning against decadence, reformers within the Church looked to renew its spirit by embracing modern art and architecture as representative concepts. Father Marie-Alain Couturier, who would also sponsor Le Corbusier for the La Tourette commission, steered the unorthodox project to completion in 1954.
The chapel at Ronchamp is singular in Corbusier's oeuvre, in that it departs from his principles of standardisation and the machine aesthetic, giving in instead to a site-specific response. By Le Corbusier's own admission, it was the site that provided an irresistible genius loci for the response, with the horizon visible on all four sides of the hill and its historical legacy for centuries as a place of worship.
This historical legacy was woven in different layers into the terrain – from the Romans and sun-worshippers before them, to a cult of the Virgin in the Middle Ages, right through to the modern church and the fight against the German occupation. Le Corbusier also sensed a sacred relationship of the hill with its surroundings – the Jura mountains in the distance and the hill itself, dominating the landscape.
The nature of the site would result in an architectural ensemble that has many similarities with the Acropolis – starting from the ascent at the bottom of the hill to architectural and landscape events along the way, before finally terminating at the sanctus sanctorum itself – the chapel. You cannot see the building until you reach nearly the crest of the hill. From the top, magnificent vistas spread out in all directions.
The site is high on a hill near Belfort in eastern France. There had been a pilgrimage chapel on the site dedicated to the Virgin Mary, but it had been destroyed during the Second World War. After the war, it was decided to rebuild on the same site. The Chapelle Notre-Dame-du-Haut, a shrine for the Roman Catholic Church at Ronchamp, France was built for a reformist Church looking to continue its relevance. Warning against decadence, reformers within the Church looked to renew its spirit by embracing modern art and architecture as representative concepts. Father Marie-Alain Couturier, who would also sponsor Le Corbusier for the La Tourette commission, steered the unorthodox project to completion in 1954.
The chapel at Ronchamp is singular in Corbusier's oeuvre, in that it departs from his principles of standardisation and the machine aesthetic, giving in instead to a site-specific response. By Le Corbusier's own admission, it was the site that provided an irresistible genius loci for the response, with the horizon visible on all four sides of the hill and its historical legacy for centuries as a place of worship.
This historical legacy was woven in different layers into the terrain – from the Romans and sun-worshippers before them, to a cult of the Virgin in the Middle Ages, right through to the modern church and the fight against the German occupation. Le Corbusier also sensed a sacred relationship of the hill with its surroundings – the Jura mountains in the distance and the hill itself, dominating the landscape.
The nature of the site would result in an architectural ensemble that has many similarities with the Acropolis – starting from the ascent at the bottom of the hill to architectural and landscape events along the way, before finally terminating at the sanctus sanctorum itself – the chapel. You cannot see the building until you reach nearly the crest of the hill. From the top, magnificent vistas spread out in all directions.
Cathédrale Saint-Étienne de Bourges) is a cathedral, dedicated to Saint Stephen, located in Bourges, France. It is the seat of the Archbishop of Bourges.
Construction on Bourges Cathedral began on in 1195, the same time as Chartres Cathedral. The choir was completed by 1214 and the nave was completed in 1225-1250. The west façade was finished in 1270. The architect was Paul-Louis Boeswillwald and the master builder was Philip Berruyer.
The cathedral was added to the list of the World Heritage Sites by UNESCO in 1992.
Construction on Bourges Cathedral began on in 1195, the same time as Chartres Cathedral. The choir was completed by 1214 and the nave was completed in 1225-1250. The west façade was finished in 1270. The architect was Paul-Louis Boeswillwald and the master builder was Philip Berruyer.
The cathedral was added to the list of the World Heritage Sites by UNESCO in 1992.
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